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The organ in the Grote Kerk of Breda is one of the largest organs in the Netherlands and its history goes back to the 16th century. After being displaced several times, the organ arrived at its present location in the church in 1712. ▪ my blog▪ my facebook▪ my twitter▪ my website▪ my youtube▪ my e-mail © 2014 Todd Klassy. The Franciscan Church in Vilnius (Church of our Lady of the Assumption) is one of the oldest buildings in the capital, its history dates back to the 14th century.
After restoration of the church between 19, a new organ was ordered from D. The church is Gothic, but in the 18th century it acquired Baroque forms.
The church's Gothic Revival architecture is among the most dramatic in the world; its interior is grand and colorful, its ceiling is colored deep blue and decorated with golden stars, and the rest of the sanctuary is a polychrome of blues, azures, reds, purples, silver, and gold.
It is filled with hundreds of intricate wooden carvings and several religious statues.
From 1843 onwards many restorations took place, the last big restoration took place from 1993 until 1998. source: Wikipedia" or Onze-Lieve-Vrouwekerk (Church of Our Lady) is the most important monument and a landmark of Breda. The first notice of a stone church in Breda is from 1269.
The organ in the Grote Kerk of Breda is one of the largest organs in the Netherlands and its history goes back to the 16th century. After being displaced several times, the organ arrived at its present location in the church in 1712. The church is built in the Brabantine Gothic style. In 1410, the construction of the church started with the choir.
Follow the previous link if you don't believe me.
Anyway, although much had to be rebuilt, the original church and the font inside date from the 11th Century.
A statue of St Virgin Mary (The White Mother of God) was unveiled here recently, which is regarded to have miracle-working powers.
This authoritative book makes a major contribution to the study of death and burial in late antique and early medieval society with its long overdue systematic discussion of this mortuary evidence.
Tracing the history of Merovingian archaeology within its cultural and intellectual context for the first time, Effros exposes biases and prejudices that have colored previous interpretations of these burial sites and assesses what contemporary archaeology can tell us about the Frankish kingdoms.
Effros then turns to contemporary multidisciplinary methodologies and finds that we are still limited by the types of information that can be readily gleaned from physical and written sources of Merovingian graves.
For example, since material evidence found in the graves of elite families and particularly elite men is more plentiful and noteworthy, mortuary goods do not speak as directly to the conditions in which women and the poor lived.